 DJ MetroGnome is at it again with the release of a new project called Collections & Connections.Genres:Hip Hop, Jazz, Sou lReleased: May 2012 "this is a concept mix based around the connections between songs (samples, wordplay, etc). i basically had the general idea, but didn't have the order laid out at all... created it as I went. It was a fun and interesting process with a million possibilities. I wasn't going for the most rare records or anything, just exploring. Hope you dig it." DJ MetroGnome
Download the full, tracked-out version here: http://www.tinyurl.com/MetroGnomeCCvTrack Title-Artist
1.Hot Music-Soho
2.Superstar-K-os
3.Superstar-Ghostface Killah
4.Time 4 Sum Aksion-Redman
5.Mama Said Knock You Out-LL Cool J
6.A Trip To Your Heart-Sly & The Family Stone
7.Diamonds And Pearls-Prince
8.Black Diamonds And Pearls-Blackalicious
9.If I Ruled The World-Nas Ft Lauryn Hill
10.If I Ruled The World / Friends Kurtis Blow / Whodini
11.The Sun-God Hi-tek Ft Common
12.The Blast-Reflection Eternal
13.Feeling Good-Nina Simone
14.New Day-Kanye West & Jay-z
15.Incarcerated Scarfaces-Raekwon
16.Daytona 500-Ghostface Killah
17.Nautilus-Bob James
18.Inheritance-Skyzoo
19.Good Times (I Get High)-Styles P
20.Real Love (Remix)-Notorious B.i.g.
21.Brooklyn-Roy Ayers
22.Boroughs-Digable Planets
23.Jazz Thing-Gangstarr
24.Skain's Domain-Wynton Marsalis
 The soundtrack of my youth is fading. That’s hardly an original observation, but self-indulgence is a columnist’s inalienable right and music has unique power to summon unbidden waves of nostalgia. I’ll spend the rest of the day listening to the “ Queen of Disco” and the “ Godfather of Go-Go,” and saying goodbye. Donna Summer, who died Thursday, was the undisputed monarch of a musical genre that I tried my best to hate. Disco had none of the spontaneity and rough edges of rock-and-roll, none of the rawness and authenticity of rhythm and blues, and yet it emerged from those sources like some sort of genetic anomaly. Disco was slick, polished, relentless. Intellectually, it was boring. Viscerally, it was irresistible. To be on a dance floor in the late 1970s, before the mirrored ball became a cliche, was to be assaulted by thumping bass and screaming synthesizers until you surrendered and let the music carry you along. For all its space-age sheen, disco was all about music’s most ancient and primal element, the beat. It was about becoming what diva Grace Jones called a “slave to the rhythm.” Harmony and melody, for most artists, were afterthoughts.
 But not for Donna Summer. Only a handful had the pipes to sing with expressiveness, subtlety and control above the clamorous frenzy of a disco groove, and Summer was one of them. Her voice had what seemed like effortless power. You got the sense that if she wanted to crank it up, she could blow any band right off the stage.
And she had something to say. Songs such as “Bad Girls,” “Hot Stuff” and “She Works Hard for the Money” were anthems to female empowerment and sexual liberation. Whether she was playing the role of a saucy streetwalker, a club-hopping adventuress or an Everywoman shouldering the burdens of the world, she was always the protagonist, never the victim. “When I’m bad,” she famously sang, “I’m so, so bad.”
Unlike so many things from the disco era, Summer’s songs have endured. She released her last album in 2008, performed on “American Idol” that year and reportedly had been working on a new record before her final illness. She died of cancer at age 63.
 On Wednesday, we lost another seminal figure in popular music, the guitarist and bandleader Chuck Brown. Around the world, Brown was perhaps best known for his 1979 No. 1 hit, “Bustin’ Loose.” Careful listeners might also be aware that he is one of the artists most frequently sampled by dance-music and hip-hop producers; snippets of Brown’s work can be heard, for example, on tracks by Eric B. & Rakim and in the rapper Nelly’s mega-hit “ Hot in Here.”
 Here in Washington, however, Brown was known simply as the Godfather. He is credited as the inventor of the unique local sound known as go-go, a brand of syncopated funk distinguished by the central role given to percussion — congas, cowbells, rototoms, wooden boxes, plastic buckets, anything that goes bang or boom when you hit it. It’s hard to describe what distinguishes a go-go beat, but you know one if you hear one. It’s almost as if the drums are singing the melody and everything else is just along for the ride. If you have no idea what I’m talking about, you’re not from around here. Go-go is a regional sound that never quite broke out into the mainstream; bands such as Rare Essence and Experience Unlimited, legends among the cognoscenti, draw a complete blank outside the Beltway. For me, the intensely local nature of go-go is a reminder that Washington is an actual place, not a political abstraction. One important element in the texture of life in the nation’s capital was Chuck Brown. He appeared in television ads for well-known local institutions, such as the D.C. Lottery — and, I should add, The Washington Post. If you went to a baseball game and one of the Nationals hit a home run, Brown’s “Bustin’ Loose” was the celebration song. A city block near Howard University was named “Chuck Brown Way.” He died at age 75 after a battle with pneumonia. Wednesday night, as news of his passing spread, a large crowd gathered on Chuck Brown Way to remember a man whose talent, exuberance and generosity of spirit will be missed. There is only one way to celebrate the legacy of these two legends: Get up and dance. eugenerobinson@washpost.com
Budweiser Made in America event set for Labor Day weekend
 Jay-Z will headline the Budweiser Made in America festival in Philadelphia this Labor Day weekend. The festival, curated by Jay-Z himself, will feature a roster of nearly 30 acts from many different genres on three stages at Fairmount Park on September 1st and 2nd. The event, produced by Live Nation, will benefit United Ways in greater Philadelphia and southern New Jersey, Lancaster County, Pennsylvania and New York City. The organization works to invest money in local communities and education. As of yet, Jay-Z is the only confirmed act on the bill. Tickets for the festival will go on sale May 23rd, with a pre-sale on May 22nd. Read more: http://www.rollingstone.com/music/news/jay-z-to-headline-and-curate-festival-in-philadelpha-20120514#ixzz1urkqriLJ
 Joshua Webb, a musician who appeared on Ledisi's Grammy-nominated Pieces of Me album, was killed Wednesday in a car accident in Atlanta. He was 27. According to St. Louis Today, Webb was traveling with his cousin to pick up Webb's new vehicle when their vehicle collided with a tractor trailer. Webb's cousin sustained a spinal cord injury and a fractured leg but Webb was pronounced dead at the scene. Webb was not wearing his seat belt. "When u hear the piano part on Bravo that's Josh Webb R.I.P." Ledisi tweeted yesterday on hearing the news. "Mylove& prayers 2 The Webb Family." Webb's credits include playing piano on the Ledisi song "Bravo" while playing organ on "Shine." Webb was also the younger brother of John Webb Jr., better known as producer Jon Jon Traxx, who worked with Usher, Mary J. Blige and Beyonce among others. "He was branching out," Webb's cousin Broderick Young said. "He'd always played for different churches, but Jon Jon wanted him to branch out and do tours and work for other artists. This (Ledisi) was the first time and he got a Grammy nomination. That's was all he really wanted." Webb is survived by his mother Cassandra, father John, brothers John Jr., Jordan and Jacob and sisters Kandra and Ca'Neidra. Funeral arrangements have yet to be announced.
 Pronounced [ma•sē•nə] – singer, songwriter, arranger, composer, producer, vigilante, dreamer, lover.
A Washington, DC & Northern Virginia native and graduate of both the Duke Ellington School of the Arts and Howard University, Muhsinah humbly released her first self-produced EP, ‘Oscillations,’ in 2005, having little idea of what would come to follow…
Fast-forward to several iterations later with ‘Oscillations: Sine’ EP (2008) & ‘Oscillations: Triangle’ EP (2010), a feature cut (‘Changes’) on Common’s ‘Universal Mind Control‘ (2008) and a few years backing the rapper on stage, with synth and vocals – Universal Mind Control Tour with N*E*R*D in 2008 (including performances on Jay Leno, Ellen Degeneres, and Jimmy Kimmel), at Obama’s Inaugural Ball in 2009, and Maxwell’s Black Summer’s Night Tour that same year, and ending up at Chicago’s Democratic Rally in Hyde Park in 2010.
Not content to play the background, Muhsinah began touring solo, receiving invitations to perform at renowned concerts like the legendary annual Roots’ Picnic (2008) and Sonar in Barcelona (2009), David Letterman’s 5000th episode with the Noisettes in 2010 and The Soul Beach Music Festival in Aruba (2011), amongst many other prestigious stages. | However, Muhsinah’s success was not exclusive to the stage as she exhibited her ability to captivate in the studio as well – receiving a Grammy Nomination (Best Urban/Alternative Performance in 2009) for her work with The Foreign Exchange on the single, (‘Daykeeper’) and later, garnered a nod from Radio Head front-man, Thom Yorke, when he counted (‘Lose My Fuse’) a song she recorded with producer, Flying Lotus, among his top 10 of that time (2010). | | | | A musician since the age of 11, the classically trained pianist has absorbed a plethora of cultural experiences throughout her musical upbringing, so it’s no wonder that the young phenom has the ability to float gracefully between the underground and the mainstream, crafting a sound that is both hard to classify and/or compare.
Her first explorations of this new Urban/Suburban sound was realized in her latest EP, ‘Gone’ (a $10,000 fan-funded release) on February 21, 2012. And with her first full-length album scheduled for release this summer, it seems that this is only just the tip of the iceberg for The Golden Girl. | 
 Whitney Mariena Coleman is a self-taught singer, songwriter, and musician who is known by audiences for her eclectic mix of music genres including Rock, Hip Hop, Jazz and Neo-Soul. A Gospel singer at heart, the young artist and Adidas All-American Basketball player from Southern California, started making music in her later years of high school once suffering from an ACL (anterior cruciate ligament) injury to her knee. Whitney states that the recovery process and journey towards self-empowerment not only strengthened her relationship with God but strengthened her love for writing and making music as well. After receiving Best Female Artist for the Inland Empire Music Awards in 2005, Whitney took that motivation across the country academically and athletically to the East coast. During her five years of college in upstate NY, the young artist and athlete was able to discover a deeper understanding of her purpose in life in regards to her academics, music and basketball and how she could utilize each of those components in order to reach people. This search for purpose driven success resulted in a series of community service involvement within her campus community, local youth and surrounding churches. After a variety of performances locally in Upstate New York, in 2009, Whitney debuted her sophomore album, “Bright Morning Star”, at the Priem Experimental Media and Performing Arts Center (EMPAC) Concert Hall in New York. Well over 300 audience members came to show support of Whitney’s new sound.
 Whitney’s passion is something that people say is what moves them. The young artist expresses her life through music, the lessons learned and the emotions she has felt by exposing her heart with catchy tunes, complex meanings and soulful undertones. Whitney is known for her ability to not only play the piano while singing but also playing while rapping. In addition, she also plays a plethora of instruments (i.e. bass, drums, flute, guitar and conga’s) which she self-taught herself to play as well. When asked about all of her musical influences and abilities, Whitney states that she learned from watching her father Gregory Coleman Sr. (a former guitar player for The Orlons and Sister Sledge out of Philadelphia, PA) play with his musician friends from church. It is evident that she definitely has taken note of the Motown showmanship, for she is known to be diva-like and to “rock out” and “jam” on stage frequently throughout her performances.
A graduate from Rensselaer Polytechnic Institute and all time record holder for most points scored for basketball, Whitney now resides in Indianapolis, IN where she attends IUPUI for a PhD program in Informatics and also has continued her love for singing music at venues.
 The Whitney Coleman Project is a new take on Whitney’s style and vision for her music that includes vibrant and soul-foul sounds tapped with conscious lyrics that will uplift your spirits. Whitney released her latest album “The Love Chapter: Lessons From A Human Heart” last summer and she notes that she wants to welcome all people to hear and see what she so passionately believes in, “Our experiences may be different, but we all feel a need to be connected to something or someone and since music is universal, it’s the best way for me to express myself and relate my experiences.” Old SOUL Entertainment & TwinPeaks Music presents
Root Movements featuring Whitney Coleman. Wed, April 4th. 8PM @ The Jazz Kitchen. 5377 College Ave. Broad Ripple, Indy. $8.Facebook Event Page --> Whitney Coleman @ The Jazz Kitchen
 Whitney Coleman's latest album, The Love Chapter. Lessons From a Human Heart.More info on the project at www.whitneycolemanmusic.comFollow Whitney Coleman on Facebook at http://www.facebook.com/whitneycolemanmusicpage
 William Harrison "Bill" Withers, Jr. (born July 4, 1938) is an American singer-songwriter and musician who performed and recorded from 1970 until 1985. Some of his best-known songs are "Lean on Me", "Ain't No Sunshine", "Use Me", "Just the Two of Us", "Lovely Day", and "Grandma's Hands".
Early life Withers was born the youngest of thirteen children in the small coal-mining town of Slab Fork, West Virginia. Raised in nearby Beckley, West Virginia, Withers was thirteen years old when his father died. He enlisted with the United States Navy at age eighteen and served for nine years, during which time he became interested in singing and writing songs. Soon after his discharge from the Navy in 1970, he relocated to Los Angeles for a musical career.
Withers worked as an assembler for several different companies, including Douglas Aircraft Corporation, while recording demo tapes with his own money, shopping them around and performing in clubs at night. When he debuted with the song "Ain't No Sunshine, he refused to resign his job because of his belief that the music business was a fickle industry and that he was still a novice compared to other acts.
During early 1970, Withers' demonstration tape was audited favorably by Clarence Avant of Sussez Records. Avant signed Withers to a record deal and assigned Booker T. Jones to produce Withers' first album. Four three-hour studio sessions were planned to record the album, but funding caused the album to be recorded in three sessions with a six-month break between the second and final sessions. Just as I Am was released in 1971 with the tracks "Ain't No Sunshine" and "Grandma's Hands" as singles. The album features Stephen Stills playing lead guitar.
The album was a success and Withers began touring with a band assembled from members of The Watts 103rd Street Rhythm Band: drummer James Gadson, guitarist Benorce Blackmon, keyboardist Ray Jackson, and Bassist Melvin Dunlap.
At the 14th annual Grammy Awards on Tuesday, March 14, 1972, Withers won a Grammy Award for Best R&B Song for "Ain't No Sunshine"." The track had already sold over one million copies, and was awarded a gold disc by the R.I.A.A. in September 1971.
 During a hiatus from touring, Withers recorded his second album, Still Bill. The single "Lean on Me" went to number one the week of July 8, 1972. It was Withers' second gold disc awarded track with confirmed sales in excess of three million. His single "Use Me" released in August 1972, became his third million seller, with the R.I.A.A. gold disc award taking place on October 12, 1972. A Friday, October 6, 1972 performance on a rainy night was recorded for the live album Bill Withers, Live at Carnegie Hall released November 30, 1972. In 1974 Withers recorded the album +'Justments. But he became involved in a legal dispute with the Sussex company and was unable to record thereafter. During this time, he wrote and produced two songs on the Gladys Knight & the Pips record I Feel a Song, and in October 1974 performed in concert together with James Brown, Etta James, and B. B. King at the historic Rumble in the Jungle fight between Foreman and Ali in Zaire. [4] Footage of his performance was included in the 1996 documentary film, When We Were Kings, and he is heard on the accompanying soundtrack. Withers signed with Columbia Records in 1975. His first release with the label, Making Music, Making Friends, included the single "She's Lonely" which was featured in the film Looking for Mr. Goodbar. During the next three years he released an album each year with Naked & Warm (1976), Menagerie (1977, containing the successful Lovely Day) and Bout Love (1978) and Get On Down, the latter song was also on Looking for Mr. Goodbar soundtrack. Due to problems with Columbia, he concentrated on joint projects between 1977 and 1985, including the successful " Just the Two of Us", with jazz saxophonist Grover Washington, Jr., which was released during June 1980. It won a Grammy on February 24, 1982. Withers next did Soul Shadows with The Crusaders, and In the Name of Love with Ralph MacDonald, the latter being nominated for a Grammy for vocal performance. In 1985 came Watching You, Watching Me, which featured the Top 40 rated Rhythm&Blues single "Oh Yeah". Withers ended his business association with Columbia Records after this release, which as of 2010 is his last studio album. In 1988, a new version of "Lovely Day" from the 1977 Menagerie album, titled "Lovely Day (Sunshine Mix)" and remixed by Ben Liebrand, reached the Top 10 in the United Kingdom, leading to Withers' performance on the long-running Top of the Pops that year. The original release had scored #2 in the UK in 1973, and the re-release scored to #1. In 1987, he received his ninth Grammy award nomination and on March 2, 1988 his third Grammy for Best Rhythm and Blues Song as songwriter for the re-recording of Lean On Me by Club Nouveau on their debut album Life, Love and Pain, released in 1986 on Warner Bros. Records. In 1996, a portion of his song "Grandma's Hands" was sampled in the song " No Diggity" by BLACKstreet, featuring Dr. Dre. The single went to #1 on the Billboard Hot 100 chart and sold 1.6 million copies and won a Grammy in 1999 for Best R&B Performance by a Duo or Group with Vocals. Withers contributed two songs to Jimmy Buffett's July 13, 2004 release License To Chill. Following the reissues of Still Bill on January 28, 2003 and Just As I Am on March 8, 2005, there was speculation of previously unreleased material being issued as a new album. In 2006, Sony gave back to Withers his previously unreleased tapes. In 2007, "Lean On Me" was inducted into the Grammy Hall of Fame.
 Indy Jazz Fest & Old SOUL Entertainment presents Still Bill,
A Documentary on The Life of Bill Withers.
Special Guest Performance from Bashiri Asad.
Wednesday, Sept. 14, 2011.
@ The Jazz Kitchen. Show at 8PM. $7
STILL BILL is an intimate portrait of soul legend Bill Withers, best known for his classics “Ain’t No Sunshine,” “Lean On Me,” “Lovely Day,” “Grandma’s Hands,” and “Just the Two of Us.” With his soulful delivery and warm, heartfelt sincerity, Withers has written the songs that have – and always will – resonate deeply within the fabric of our times.
Filmmakers Damani Baker and Alex Vlack follow Withers and offer a unique and rare look inside the world of this fascinating man. Through concert footage, journeys to his birthplace, interviews with music legends, his family and closest friends, STILL BILL presents the story of an artist who has written some of the most beloved songs in our time and who truly understands the heart and soul of a man.
 As you know, Old SOUL Entertainment is an eclectic group of people. Most of us are from different high schools through out Indiana. DJ MetroGnome is from Pike. Sir Doug is from Tech. Kyle aka DJ TwinPeaks went to Martinsville high. Robert is from North Central. Smiley is from Broad Ripple, Rob L. went to Gary West Side... None the less, we all connect when it comes to the music. Funk, Soul, Hip-Hop, Jazz, Electronica and anything else that has rhythm. In celebration of all of our Alma Maters and everyone that received their schooling in Indiana, Old SOUL Entertainment presents the Indiana All State High School Reunion. This is for everyone. Saturday, Aug. 27th @ The Jazz Kitchen. 5377 College Ave. Broad Ripple. Indy Facebook Event page --> All State Reunion Party on FacebookAdvance discount tickets available at http://allstatereunionparty.eventbrite.com/DJs Action Jackson and Freddie Fresh on the turntables. The music will go from 80's rock to classic Hip-Hop to all your favorite current hits. Most of Old SOUL graduate high school about 15 years ago so we want to hear it all. the music we grew up on and the current music that is GOOD. Soul Session. Real People. Real Music. Original Art. Sponsored by Old SOUL Entertainment, The Jazz Kitchen and Yats.
 Elzhi first gained notoriety as a rapper during his frequent visits to the legendary Hip-Hop Shop in Detroit during the mid nineties, where he took part in the weekly emcee battles. Originally part of the F.O.D. or Fingers of Death crew, El' (then called L.Z.) earned his reputation based on his rapid fire delivery and unique cadences.
Eventually, Elzhi would become part of the Breakfast Club with fellow artists Dwele, Big Tone (Then called Hodge Podge), Lacks and 87. During this era of his young career, El' would record such sought after classics as "Vitamins" and "Physical Therapy" with Big Tone.
Out of Focus
In 1998, Elzhi recorded a number of songs with Detroit hip-hop icon DJ Houseshoes. These recording sessions yielded the material that would become the legendary Out of Focus EP. Showcasing his unique delivery, complex rhyme structures and empathetic personality, the EP was regarded as an instant classic to those who were able to hear it. The project, however, was never officially released.
In late 2000, Elzhi acquired his master tapes and provided his close friends with cassettes of the Out of Focus EP, in addition to 3 extra tracks. These few cassettes allowed the material to eventually leak onto the internet under the name "Unreleased Solo Project." CDs sold or distributed under this title are usually completely mislabeled with innacurate tracklistings and credits.
 925, Waajeed and J.Dilla.
In 1999 Elzhi became affiliated with the 9-2-5 Colony, a group formed by Nick Speed and Magestik Legend. The trio of emcees recorded only a few songs together: "Gun Talk," "Oh Shit" and "Farewell." "Farewell," produced by Lacks, is a song where each emcee spits a verse about their relationships with women. Elzhi reprises a verse he had originally recorded for the DJ Houseshoes-produced "What I Am," a discarded song from the Out of Focus sessions that eventually was released when the EP leaked onto the internet. "Farewell," like the rest of the 9-2-5 material, remains incomplete and unreleased.
In the year 2000, Elzhi became a frequent collaborator with Waajeed. During their countless recording sessions, the pair would create an untold number of songs. "Stunted Growth" is one of the few tracks to ever emerge from this era of recording.
As Elzhi and Waajeed became closer in their collaborations, so did El's affiliation to Slum Village. Elzhi even had the opportunity to record songs using Jay Dee's beats ("Days and Nights Analyzin'" and "Concrete Eyes"), eventually leading up to Elzhi's national debut on Jay Dee's aka J.Dilla's, Welcome to Detroit. Elzhi's verse on the song "Come Get It" was acclaimed by Hiphopsite.com upon its release.
 Slum Village
In 2001, with J.Dilla no longer an official member, Slum Village began recording their follow up to Fantastic Vol. 2. During the sessions, Baatin invited Elzhi to collaborate on a few tracks. Recognizing their chemistry, Baatin and T3 invited Elzhi to become a full-time member, a choice enthusiastically supported by J Dilla.
With his versatile delivery and clever wordplay, Elzhi is the most lyrically celebrated member of the group.
Libido Sounds and the Future
In 2004, Elzhi and Nick Speed formed the Libido Sounds label in order to release Witness My Growth, a double CD compilation of Elzhi's unreleased solo material from as early as 1997. The double disc includes exclusive J Dilla collaborations as well as highlights from the Out of Focus EP. Production credits on the mixtape include to J Dilla, Waajeed, Karriem Riggins, Page Kennedy, B.R. Gunna, DJ Magnetic, Houseshoes and The Alchemist.  2011, Elzhi presents Elmatic
In 1994, one of the best debut albums of all time, Illmatic, was dropped by Nasir Jones, aka Nas. World renowned producers DJ Premier, Q-Tip and Pete Rock all took turns in the studio making beats that have become anthems for most hip-hop lovers across the world.
Elzhi decided to pay tribute to the legendary rapper’s first studio recorded album by referencing all the same beats and even some of the same lines, but over the stories and struggles of an emerging 21st-century artist. Some may say this is stealing, unjust or unoriginal, but personally I love a good tribute album . . . especially to someone so significantly great and inspiring like the man himself, N-A-S.
This Friday, August 19th, we present Elzhi Live in Concert. Doors open at 11:30PM. Midnight Show. @ The Jazz Kitchen. Special Guest: The Native Sun.
Advance Tickets at http://www.elzhilive.eventbrite.com/
The Jazz Kitchen
5377 College Ave.
Broad Ripple, Indy, 46222 Facebook Event Page --> Elzhi Live
 by Dave Lindquist
In a nutshell: It’s a dual-MC wonderland when long-running standout Rusty Redenbacher joins forces with relative newcomer Mr. Kinetik.
Fan finder: Redenbacher portrays the hustler here, noting that, “Players can’t feed their family on props and respect.” Kinetik is the professor: “More words than Webster’s, I paid attention in school. Now I teach class, can’t raise no fools.”
That’s a keeper: Kinetik more than holds his own when trading verses with Redenbacher, highlighted by a manifesto within “Think Before You Speak.” At the end of a detailed 40-second rant, Kinetik offers, “Use your mind. Educate yourself before you enter the zone. Otherwise, you are simply a drone.”
Didn’t see it coming: Redenbacher — issuing his second consecutive non-Mudkids project — revisits a seriousness heard on his “Lazarus” solo album. The song “Baby,” built on samples of the Animals’ “Don’t Let Me Be Misunderstood,” details a pregnancy scare: “Look at my pockets, see why I’m stressing. Trying to roll nickels while I count these blessings.”
Selling points: Eleven different producers sound remarkably streamlined on “The Professor and the Hustler.” E Dot Spencer shoots for a summer hit on “Already,” a track defined by swirling orchestral strings and boom-bap rhythm. Feeray recalls 1970s funk on “Over,” while Kinetik multi-tasks when folding Slim Thug’s gangster-themed “Like a Boss” into “Boss Playa.”
 Wednesday, August 24th at
The Jazz Kitchen, Native Sun, Old SOUL Entertainment and Oranje presents
The Professor and The Hustler.
Special Guest Include:
The Native Sun Band
DJ Helicon
8PM. $7.
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